A few days ago, the ChillOwl label released the mini-album Close Enough by the well-known Tim Paters, better known as Stræpa. On several tracks, he is joined by Dutch jazz trumpeter Marc Huynen, whose presence reveals a warmer, more open side of Tim’s playing.
Moving Together opens the album perfectly. Its quiet beginning, built on long but bright pads, gently leads into Stræpa’s saxophone. When Marc’s trumpet joins in, the two instruments play almost in unison — but not completely. One voice often lingers just a little longer than the other, and that slight imperfection makes the music feel alive. The percussion also deserves attention: the addition of a drum sound similar to a djembe creates a subtle dance-like motion while staying within the calm lo-fi rhythm. A very fitting opening track.
On Slow Approach, Tim plays solo. His saxophone sounds more exposed, at times even passionate. This is especially noticeable in the middle section, where subtle effects change the texture of the sound. The limited set of instruments never feels restrictive — on the contrary, it allows space to focus on breathing and the movement within the performance itself.
Within Reach is probably my favorite piece on the album. Its rhythm leans more toward lounge or soul, yet the saxophone keeps a clear connection to its jazz roots. Gentle electric piano chords add a touch of coolness that balances the warmth of the horns. The composition feels confident and calm — made for open spaces where sound simply needs to exist.
In Moments Between, the saxophone and trumpet no longer merge; they alternate, responding to one another in short phrases. Their dialogue is supported by a fragile, glassy synth that ties everything into a warm, cohesive atmosphere. Here, the precision of production stands out most clearly.
Near Enough closes the album and feels livelier than the others. The foundation lies in Foley-style percussion — clicks, soft knocks, and small natural sounds that bring a sense of realness. Over this background, the saxophone and trumpet unfold their final dialogue. The track fades slowly, leaving a gentle sense of closure.
Close Enough presents Stræpa not only as a performer but also as a producer who knows how to create space around sound. Stræpa and Huynen find in the similarity of their instruments not a limitation, but a way to complement one another. Mastery and attention to detail — that’s the signature of this album, which will appeal to anyone who values warm, carefully crafted sound.
