I’ve written about Bequem’s talent many times, but every time a new release drops, I’m genuinely amazed. How is it possible to understand so subtly exactly what a weary listener seeks in a lo-fi track? His new work, titled “Stillness”, doesn’t just live up to its name—it becomes its living embodiment, a delicate manifesto of the peace we all crave so much.
From the very first seconds, the German producer masterfully invites us to join this journey. The beginning sounds intentionally restrained, somewhat “dry,” stripping away low frequencies to prepare the ground for a small miracle. Because at the ten-second mark, that exact “wow effect” happens: a soft, enveloping bass appears alongside a full-bodied beat and exquisite percussion. The feeling is incredible—I felt an instant surge of strength. It’s not like an aggressive jolt into a barrel of energy drink, but rather like that moment when a ray of sunlight suddenly breaks through on a gloomy day, offering a sense of inner grounding.
What’s particularly captivating is how the artist works with vocal samples. He doesn’t just layer a voice. He transforms it into a full-fledged musical instrument, creating unique hooks and rhythmic patterns. For me, this became the track’s peak right at its start. The electric piano doesn’t stand still either: it gradually gains brightness, becoming thinner and clearer in its notes. Meanwhile, a faint, gentle crackle adds a warm flavor of dusty vinyl, creating an atmosphere of good old-fashioned comfort.
Listening to “Stillness,” you feel a natural, almost physical sense of calm. This rare symphony gives you the feeling that you’ve finally found yourself in the right place at the right time. The absence of internal noise resonates incredibly with what’s playing in the headphones. Ultimately, I realized that true stillness isn’t the silence around us, but the peace within. And when you find this resonance, you stop simply listening to the stillness. You become it.
P.S. By the way, if you enjoyed this vibe, you can also check out my previous review of Bequem’s work — Sit Back.
